A selection of articles and reviews around STOPERA!'s works. This press review grows with each new production.
“A standing ovation honours all the artists at the close of this extraordinary show.”Olyrix
“OOO invokes Dalida, the mythical singer, in a succession of audiovisual rituals where ghosts sing old melodies.”Página/12 — Inevitables
“The opera that imagines a world without humans astonishes at the Teatro Colón's experimentation centre.”Infobae
“Experimental opera: the dialogue between plants and artificial intelligence.”Clarín
“A 53-year-old woman delivers a coolly rational commentary on the act of violence that freed her from all she had endured.”Le Monde
“The French-Argentine composer makes social and sexist violence audible.”Diapason
“Sylvie Meyer discovers she is a hostage twice over: emotionally and economically.”ResMusica
“The libretto proves richly resonant, in touch with our time.”Forum Opéra
“Between music and theatre, the marriage is a success.”ClassykéoDownload the press review (PDF) ↓
À Monaco, le Printemps des Arts fait fleurir la musique Télérama
Heureuses retrouvailles au Printemps des Arts de Monte-Carlo ResMusica
Le ballet en musiques contemporaines La Clef · musique contemporaine
Snow on Her Lips Congrès AMP
As featured in
France · Italy · UK · Spain · Argentina — around the premieres of Otages and OOO.