Press
A selection of articles and reviews around STOPERA!'s works. This press review grows with each new production.
OOO
« OOO invokes Dalida, the mythical singer, in a succession of audiovisual rituals where ghosts sing old melodies. »Página/12 — Inevitables
« The opera that imagines a world without humans astonishes at the Teatro Colón's experimentation centre. »Infobae
« Experimental opera: the dialogue between plants and artificial intelligence. »Clarín
Otages
« A 53-year-old woman delivers a coolly rational commentary on the act of violence that freed her from all she had endured. »Le Monde
« The French-Argentine composer makes social and sexist violence audible. »Diapason
« Sylvie Meyer discovers she is a hostage twice over: emotionally and economically. »ResMusica
« The libretto proves richly resonant, in touch with our time. »Forum Opéra
« Between music and theatre, the marriage is a success. »ClassykéoDownload the press review (PDF) ↓
Snow on Her Lips
À Monaco, le Printemps des Arts fait fleurir la musique Télérama
Heureuses retrouvailles au Printemps des Arts de Monte-Carlo ResMusica
Le ballet en musiques contemporaines La Clef · musique contemporaine
Snow on Her Lips Congrès AMP
As featured in
- Le Monde
- Diapason
- ResMusica
- Forum Opéra
- Concertclassic
- Classykéo
- Hémisphères Son
- La Terrasse
- L'Humanité
- AFP
- La Stampa
- The Times
- El País
- El Mundo
- Scherzo
- Clarín
- La Nación
- Página/12
- Infobae
France · Italy · UK · Spain · Argentina — around the premieres of Otages and OOO.