← Productions · Premiere 2025 · Teatro Colón

“The old world is dead.” With humanity absent, the present is suspended: nature remembers, objects make themselves noticed, a defective artificial intelligence is of no help. OOO is also a haunted opera — a world inhabited by remnants of technology, nature and popular memory, where the figure of Dalida returns as a recurring presence: her songs and spectral trace bind the work's thought to a collective emotional memory. Through the dialogue between a houseplant and a bot that cannot imagine, OOO unfolds as a succession of audiovisual rituals: an opera without humans, a ritual for the world after. Created and directed by Emma Terno and Valentín Pelisch.
OOO is not only about objects, artificial intelligence and post-human futures: it is also a work about memory, disappearance and what survives. Dalida returns as one of the ghosts haunting the stage — a popular voice whose songs keep circulating long after the woman who carried them was erased. Through her, the opera asks what remains of a human presence once the bodies are gone: refrains, images, a shared emotion — what the collective imagination keeps when everything else fades.
A post-human operatic environment.
Workshops on object-instruments and post-human dramaturgy — making matter and sound sing.
A bridge between Buenos Aires and Lyon, taken on international tour.






Premiered at the Centro de Experimentación del Teatro Colón (Buenos Aires) in September 2025, OOO was born from a cooperation between GRAME — Centre National de Création Musicale (Lyon) and the CETC. STOPERA! carries its development and international diffusion.
“OOO invokes Dalida, the mythical singer, in a succession of audiovisual rituals where ghosts sing old melodies.”Página/12 — Inevitables
“The opera that imagines a world without humans astonishes at the Teatro Colón's experimentation centre.”Infobae
“Experimental opera: the dialogue between plants and artificial intelligence.”Clarín
World premiere at the CETC — Teatro Colón (Buenos Aires), 2–10 September 2025. Developed in residency at GRAME (Lyon). Photos: Lucía Rivero. Trailer above.